ARCHIVE

Works made over a decade. Electronic and acoustic.

RACECAR - palindrome

CONCRETE - found sounds

DECKARD - multilayering vocals

IAN - distortion, microtonal spatialized melody

DRIZZLES - pedal point, waltz, overtone scale, polytonality, noise and silence

VAPOR - cantus firmus, extended tonality, chants

POOL’S BEND - aleatoricism, collage, Eastern European influence (chants, chord voicing)

Galveston Island (2020)

Pure Moods and Jan Garbarek’s Officium inspired the saxophone noodling, subtle trap beats, and ambient keys.

[irregular meters, chord cycles, harmonic substitution, improvisation, timbral coherence]

WYCLEF DREAMS (2020)

Reminders of Blade Runner and Miami Vice. That slow-mo clap from Chariots of Fire.

[melody against countermelody, delay effects, sequence with meter changes]