Works made over a decade. Electronic and acoustic.

Racecar - palindrome

Concrete - found sounds

Deckard - multilayering vocals

Ian - distortion, microtonal spatialized melody

Drizzles - pedal point, waltz, overtone scale, polytonality, noise and silence

Vapor - cantus firmus, extended tonality, chants

Pool’s Bend - aleatoricism, collage, Eastern European influence (chants, chord voicing)

Pure Moods and Jan Garbarek’s Officium inspired the saxophone noodling, subtle trap beats, and ambient keys.

[irregular meters, chord cycles, harmonic substitution, improvisation, timbral coherence]

Reminders of Blade Runner and Miami Vice. That slow-mo clap from Chariots of Fire.

[melody against countermelody, delay effects, sequence with meter changes]